Joaquín Betancourt produces Marsalis and chucho Valdés

Marsalis brilló con sus colegas cubanos en la tarde-noche habanera PDF Imprimir E-Mail
Escrito por Anubis Galardy   
lunes, 04 de octubre de 2010

Imagen de muestra04 de octubre de 2010, 11:42La Habana, 4 oct (PL) El jazz tuvo una jornada de gloria este fin de semana en Cuba con una jam session anticipadora de los conciertos que el trompetista norteamericano Wynton Marsalis ofrecerá aqui con la Jazz Lincoln Center Orchestra.

* Califica Wynton Marsalis de honor su visita a Cuba

* Wynton Marsalis graba en Cuba con Chucho Valdés y Omara Portuondo 

* Jesús ¨Chucho¨ Valdés actuará en el Jazz Lincoln Center

Fue una bienvenida tributada por sus colegas cubanos, que no tardó en convertirse en un abrazo mutuo con la música invitando y uniendo, atrayendo. No hay jazzista que se resista al poder de convocatoria de una descarga, de una improvisación liberadora.

A Marsalis lo mueve además su amor por el acervo sonoro de la isla. Estamos haciendo conexiones, amamos la musica de Cuba y sus artistas, dijo.

En los jardines del Instituto de la Música, en el céntrico barrio de El Vedado, vibró entonces el jazz con toda su pujanza mientras flotaba en el aire el latido de sus orígenes en las márgenes de Nueva Orleáns, donde surgió en oscuros tugurios para abrir nuevos caminos a la música y alimentarse de todo lo que pudiera nutrirlo, todo lo susceptible de ser revertido, jazzeado.

Entre los cubanos brilló quien fuera su discípulo en la Academia Julliard, de Estados Unidos, durante un año, Jasek Manzano, un joven de 30 años dueño de una espléndida madurez y un talento siempre presto a derribar fronteras, a ir más allá, a explorar en la herencia africana y en el legado múltiple del Caribe.

Manzano no llegó solo con su quinteto, sino que incorporó al Cuarteto de Cuerdas Amadeo Roldán. Desgranó temas como Gorgona, Cimarrón y Babel y trajo como invitado a Emir Santacruz.

Luego se sumó la Jazz Band del director y arreglista Joaquín Betancourt, quien introdujo al quinteto del saxofonista Michel Herrera.

El final fue de lujo con Marsalis desatando de cualquier atadura el libre vuelo de su trompeta y los músicos de la Jazz Lincoln Center en conjunción perfecta con los cubanos para que la música se expandiera añadiendo su propia temperatura e iluminara con una luz extra la tarde-noche habanera.

Este encuentro con Cuba es muy importante para la música norteamericana, dijo Marsalis. Y la frase surcó el aire en brazos de su propio eco.

ag
Modificado el ( lunes, 04 de octubre de 2010 )

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